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This week in Links we Like, we take a glimpse at the abundance of summer’s classical music events occurring across the globe. From a listing of North American summer music festival concerts, to the establishment of a society for music education in Nepal, to a group of nuns from Avignon signing a record deal with one of London’s finest labels, this summer presents a plethora of opportunities for those invested in classical music.

The Summer Hot List: Looking to attend a classical performance this summer, but not sure where to start? Look no further, for the New York Times has compiled a list of summer festival concerts for 25 different states. The list includes program details, visiting artists, and contact/website information for each festival. Click here to find a performance near you.

The Koussevitzky Music Shed at Tanglewood (courtesy Stu Rosner via New York Times)

A New Hope for Teaching in Nepal: Robert Moore, a recent graduate of Baylor University and Fulbright scholarship recipient, has played a major role in establishing a music education network for Nepali teachers and musicians: the Nepal Music Educator’s Society. Robert spent 10 months in Kathmandu (the nation’s capital) establishing music curriculum standards, learning traditional Nepali music, and becoming ingratiated with the existing music community to promote further growth and development. He says on the importance of music education: “…music teaches culture. I also think important values, like leadership and dedication, are taught through music” (via NewsWise). Robert kept a travel blog during his visit, posting updates and photos from his experiences and travels. To learn more about Robert’s visit to Nepal and the society, click here.

Robert Moore and the Madal: Nepal's traditional folk drum

Gregorian Chant the New “Pop”: It seems the prayers of the Benedictine Nuns from the Abbaye de Notre Dame de l’Annonciation have been answered. They just signed a contract with the London-based Decca Records, the same label to sign such artists as U2, Lady Gaga, and Eminem. The group of singing nuns practice 6th century-style Gregorian chant, and lead reclusive lives behind the abbey’s closed doors. They beat over 70 other convents competing for the record deal in the United States, Africa, and Europe, and the album Voice: Chant From Avignon is to be released this November. Read more about the record deal and nuns here.

(courtesy of news.myjoyonline.com)

Great news from Roberto Granados, a From the Top alum from our Lubbock, Texas show.  He was recently contacted by the California Symphony, who requested he join them on May 1, 2011 to perform three movements from Joaquin Rodrigo’s “Concierto de Aranjuez.”  He has commissioned a local luthier to have a special classical guitar made for this event.

This past January, Roberto had the opportunity to to play with Jon Anderson of the English progressive rock band Yes at Tony LaRussa’s 2010 Stars to the Rescue benefit for the Animal Rescue Foundation.  They performed an abridged version of “And You and I” and “Time and A Word.”

Roberto and Jon Anderson, 2010

Roberto’s father reveals:

Prior to Jon going on stage to introduce Roberto, Roberto told Jon that while he was waiting at the hotel he had come up with an ending that he had arranged for “Time and A Word” that he wanted to play.  Jon nodded in agreement, as he walked on stage.  At the end of the piece, Roberto played the ending he had arranged.  You could not hear a pin drop in the packed theatre, and the expression of Jon’s face, hearing for the first time what Roberto had put together, showed he was deeply moved.  It was spectacular!

Currently Roberto is studying with Grisha Goryachev, an accomplished flamenco and classical guitarist who attended the New England Conservatory of Music in Boston studying under Eliot Fisk. Last year he played for From the Top at the Emmys; you can read more about it here.

Great news from Roberto Granados, a From the Top alum from our Lubbock, Texas show.  He was recently contacted by the California Symphony, who requested he join them on May 1, 2011 to perform three movements from Joaquin Rodrigo’s “Concierto de Aranjuez.”  He has commissioned a local luthier to have a special classical guitar made for this event.

This past January, Roberto had the opportunity to to play with Jon Anderson of the English progressive rock band Yes at Tony LaRussa’s 2010 Stars to the Rescue benefit for the Animal Rescue Foundation.  They performed an abridged version of “And You and I” and “Time and A Word.”

Roberto and Jon Anderson, 2010

Roberto’s father reveals:

Prior to Jon going on stage to introduce Roberto, Roberto told Jon that while he was waiting at the hotel he had come up with an ending that he had arranged for “Time and A Word” that he wanted to play.  Jon nodded in agreement, as he walked on stage.  At the end of the piece, Roberto played the ending he had arranged.  You could not hear a pin drop in the packed theatre, and the expression of Jon’s face, hearing for the first time what Roberto had put together, showed he was deeply moved.  It was spectacular!

Currently Roberto is studying with Grisha Goryachev, an accomplished flamenco and classical guitarist who attended the New England Conservatory of Music in Boston studying under Eliot Fisk. Last year he played for From the Top at the Emmys; you can read more about it here.

Violinist Stephen Waarts, who appeared on our 2009 show in Stanford, California, has been busy this summer!

After winning second place in the Menuhin Competition earlier this year, Stephen performed with two symphonies in California – on May 23rd he played Mozart Violin Concerto No. 4 with the Prometheus Symphony and on June 6 he performed Brahms Violin Concerto with Symphony Parnassus. Take a look at the video of his Symphony Parnassus performance below.

Right now, Stephen is participating in the six week Perlman Music Program in Shelter Island, NY, headed by violinist Itzhak Perlman. Afterwards, he is going to the Summit Music Festival, also in NY, by invitation of acclaimed violinist Aaron Rosand, who is heading an intensive violin program. In both camps he will perform as a soloist, in chamber groups, and as part of orchestras.

Mid-August Stephen will return home to California, where he will get ready to perform Paganini Concerto No. 2 with Redwood Symphony on September 19, 25. It doesn’t stop there – In October he will play Mozart Concerto No. 5 with Solano Symphony, and Paganini Concerto No. 1 with Winchester Orchestra.

More information about Stephen and links to his performances on YouTube are on his website.

Violinist Stephen Waarts, who appeared on our 2009 show in Stanford, California, has been busy this summer!

After winning second place in the Menuhin Competition earlier this year, Stephen performed with two symphonies in California – on May 23rd he played Mozart Violin Concerto No. 4 with the Prometheus Symphony and on June 6 he performed Brahms Violin Concerto with Symphony Parnassus. Take a look at the video of his Symphony Parnassus performance below.

Right now, Stephen is participating in the six week Perlman Music Program in Shelter Island, NY, headed by violinist Itzhak Perlman. Afterwards, he is going to the Summit Music Festival, also in NY, by invitation of acclaimed violinist Aaron Rosand, who is heading an intensive violin program. In both camps he will perform as a soloist, in chamber groups, and as part of orchestras.

Mid-August Stephen will return home to California, where he will get ready to perform Paganini Concerto No. 2 with Redwood Symphony on September 19, 25. It doesn’t stop there – In October he will play Mozart Concerto No. 5 with Solano Symphony, and Paganini Concerto No. 1 with Winchester Orchestra.

More information about Stephen and links to his performances on YouTube are on his website.

We just got word that 14-year-old violinist Stephen Kim, who appeared on our radio show in Mobile, Alabama in January 2009, recently won two musical awards.

Stephen Kim Performs on Show 193 in Alabama

He received the Gold Medal in the 11th California International Young Artists Violin Competition in San Diego on June 13, which he shared with a 24 year old violinist. Stephen also won 3rd prize in the 2nd Stradivarius International Violin Competition in Salt Lake City, Utah this July.

But that’s not all – Stephen also has three big performances coming up.

On August 15 he will perform as a soloist  with The Bear Valley Symphony Orchestra, where he’ll play the Shostakovich Concerto in the closing concert of the Bear Valley Music Festival.

He will perform the Tchaikovsky Concerto on September 25 with the Fremont Symphony Orchestra in the opening concert. Then in November, he will perform the Shostakovich Concerto again with the California Youth Symphony.

Great work and good luck, Stephen!

We just got word that 14-year-old violinist Stephen Kim, who appeared on our radio show in Mobile, Alabama in January 2009, recently won two musical awards.

Stephen Kim Performs on Show 193 in Alabama

He received the Gold Medal in the 11th California International Young Artists Violin Competition in San Diego on June 13, which he shared with a 24 year old violinist. Stephen also won 3rd prize in the 2nd Stradivarius International Violin Competition in Salt Lake City, Utah this July.

But that’s not all – Stephen also has three big performances coming up.

On August 15 he will perform as a soloist  with The Bear Valley Symphony Orchestra, where he’ll play the Shostakovich Concerto in the closing concert of the Bear Valley Music Festival.

He will perform the Tchaikovsky Concerto on September 25 with the Fremont Symphony Orchestra in the opening concert. Then in November, he will perform the Shostakovich Concerto again with the California Youth Symphony.

Great work and good luck, Stephen!

Bella with Fellow Performers at the El Dorado Retirement Center

We love when From the Top performers take Arts Leadership to the next level – 14 year-old violist Isabella Markham, a Jack Kent Cook Young Artist, has done just that by organizing a small concert series for a retirement center with the help of her brother and seven friends.  She titled the performance “Bella Palooza” and it took place on March 7, 2010 at the El Dorado; an independent retirement home located in Richardson, TX. The program included works for cello, violin, viola, and piano. Bella chose this project to provide seniors a fun break from their daily routine. Through the performance, Bella hoped to show that musicians her age still care for elderly people, and that music is a universal form of communication. A talented artist as well as a musician, Bella also created beautiful, hand-drawn flyers to promote the event.

Bella's Concert Program Art

Bella on "From the Top"

“I strongly believe that our culture tends to forget about the elderly and aging. A lot of these people are lonely and they don’t get enough love. Everyone needs someone to look forward to, and I think music makes a person’s heart happy.”

-Bella Markham

The El Dorado Dining Hall

We asked Bella a few questions about the performance and the overall experience:

Bella with pianist Evan Ritter

From the Top: How did you come up with your project idea?

Bella: I chose this activity because I wanted the old folks to have something exciting and new to look forward to in their daily schedule. It seems that they are forgotten sometimes, so I wanted to share the gift of music with them.

From the Top: What was the experience like for you? Did you have a favorite moment?

Bella: The experience was so inspiring and enriching! I would definitely love to do something like this again. Although it was a little bit stressful in having the complete responsibility to coordinate the entire event, it was all worth it in the end.

My favorite moment was after the performance. I went around to each table to talk to the old folks and asked them what they thought about the performance. Their faces beamed with joy and they even wanted me to come back and perform again! I loved seeing them so happy.

From the Top: What do you think the audience took away from the event?

Bella: I think the audience took away the joy and love for music. They truly enjoyed seeing us young performers perform for them. I would never be able to describe how happy they were, they were so overwhelmed with joy.

From the Top: What did you learn from this experience?

Bella: I learned that no matter who you are or what you do, music can connect and communicate to anyone! In my opinion, music truly is a wonder to the universe.

From the Top: Do you think this type of experience can help your development as a musician? How?

Bella: Definitely, yes. This is an extremely humbling experience and reminds me all the time of how fortunate and blessed I am. I think this is why I gravitate towards this particular group of people. I know that my presence and sharing of music genuinely touches their hearts as well as mine. Also, I know that I’m making a difference.

From the Top: What advice would you give other musicians interested in doing a similar project?

Bella: Definitely choose a softer selection of pieces to perform. The old folks seem to enjoy the softer pieces a lot. Also, prepare to talk and introduce yourself to them, this seems to make the performance more intimate and enjoyable. It’s also good to go around and talk with them after the performance; they love to talk with you about what a joy it was to have you perform.

Bella with Fellow Performers at the El Dorado Retirement Center

We love when From the Top performers take Arts Leadership to the next level – 14 year-old violist Isabella Markham, a Jack Kent Cook Young Artist, has done just that by organizing a small concert series for a retirement center with the help of her brother and seven friends.  She titled the performance “Bella Palooza” and it took place on March 7, 2010 at the El Dorado; an independent retirement home located in Richardson, TX. The program included works for cello, violin, viola, and piano. Bella chose this project to provide seniors a fun break from their daily routine. Through the performance, Bella hoped to show that musicians her age still care for elderly people, and that music is a universal form of communication. A talented artist as well as a musician, Bella also created beautiful, hand-drawn flyers to promote the event.

Bella's Concert Program Art

Bella on "From the Top"

“I strongly believe that our culture tends to forget about the elderly and aging. A lot of these people are lonely and they don’t get enough love. Everyone needs someone to look forward to, and I think music makes a person’s heart happy.”

-Bella Markham

The El Dorado Dining Hall

We asked Bella a few questions about the performance and the overall experience:

Bella with pianist Evan Ritter

From the Top: How did you come up with your project idea?

Bella: I chose this activity because I wanted the old folks to have something exciting and new to look forward to in their daily schedule. It seems that they are forgotten sometimes, so I wanted to share the gift of music with them.

From the Top: What was the experience like for you? Did you have a favorite moment?

Bella: The experience was so inspiring and enriching! I would definitely love to do something like this again. Although it was a little bit stressful in having the complete responsibility to coordinate the entire event, it was all worth it in the end.

My favorite moment was after the performance. I went around to each table to talk to the old folks and asked them what they thought about the performance. Their faces beamed with joy and they even wanted me to come back and perform again! I loved seeing them so happy.

From the Top: What do you think the audience took away from the event?

Bella: I think the audience took away the joy and love for music. They truly enjoyed seeing us young performers perform for them. I would never be able to describe how happy they were, they were so overwhelmed with joy.

From the Top: What did you learn from this experience?

Bella: I learned that no matter who you are or what you do, music can connect and communicate to anyone! In my opinion, music truly is a wonder to the universe.

From the Top: Do you think this type of experience can help your development as a musician? How?

Bella: Definitely, yes. This is an extremely humbling experience and reminds me all the time of how fortunate and blessed I am. I think this is why I gravitate towards this particular group of people. I know that my presence and sharing of music genuinely touches their hearts as well as mine. Also, I know that I’m making a difference.

From the Top: What advice would you give other musicians interested in doing a similar project?

Bella: Definitely choose a softer selection of pieces to perform. The old folks seem to enjoy the softer pieces a lot. Also, prepare to talk and introduce yourself to them, this seems to make the performance more intimate and enjoyable. It’s also good to go around and talk with them after the performance; they love to talk with you about what a joy it was to have you perform.

Bella with Fellow Performers at the El Dorado Retirement Center

We love when From the Top performers take Arts Leadership to the next level – 14 year-old violist Isabella Markham, a Jack Kent Cook Young Artist, has done just that by organizing a small concert series for a retirement center with the help of her brother and seven friends.  She titled the performance “Bella Palooza” and it took place on March 7, 2010 at the El Dorado; an independent retirement home located in Richardson, TX. The program included works for cello, violin, viola, and piano. Bella chose this project to provide seniors a fun break from their daily routine. Through the performance, Bella hoped to show that musicians her age still care for elderly people, and that music is a universal form of communication. A talented artist as well as a musician, Bella also created beautiful, hand-drawn flyers to promote the event.

Bella's Concert Program Art

Bella on "From the Top"

“I strongly believe that our culture tends to forget about the elderly and aging. A lot of these people are lonely and they don’t get enough love. Everyone needs someone to look forward to, and I think music makes a person’s heart happy.”

-Bella Markham

The El Dorado Dining Hall

We asked Bella a few questions about the performance and the overall experience:

Bella with pianist Evan Ritter

From the Top: How did you come up with your project idea?

Bella: I chose this activity because I wanted the old folks to have something exciting and new to look forward to in their daily schedule. It seems that they are forgotten sometimes, so I wanted to share the gift of music with them.

From the Top: What was the experience like for you? Did you have a favorite moment?

Bella: The experience was so inspiring and enriching! I would definitely love to do something like this again. Although it was a little bit stressful in having the complete responsibility to coordinate the entire event, it was all worth it in the end.

My favorite moment was after the performance. I went around to each table to talk to the old folks and asked them what they thought about the performance. Their faces beamed with joy and they even wanted me to come back and perform again! I loved seeing them so happy.

From the Top: What do you think the audience took away from the event?

Bella: I think the audience took away the joy and love for music. They truly enjoyed seeing us young performers perform for them. I would never be able to describe how happy they were, they were so overwhelmed with joy.

From the Top: What did you learn from this experience?

Bella: I learned that no matter who you are or what you do, music can connect and communicate to anyone! In my opinion, music truly is a wonder to the universe.

From the Top: Do you think this type of experience can help your development as a musician? How?

Bella: Definitely, yes. This is an extremely humbling experience and reminds me all the time of how fortunate and blessed I am. I think this is why I gravitate towards this particular group of people. I know that my presence and sharing of music genuinely touches their hearts as well as mine. Also, I know that I’m making a difference.

From the Top: What advice would you give other musicians interested in doing a similar project?

Bella: Definitely choose a softer selection of pieces to perform. The old folks seem to enjoy the softer pieces a lot. Also, prepare to talk and introduce yourself to them, this seems to make the performance more intimate and enjoyable. It’s also good to go around and talk with them after the performance; they love to talk with you about what a joy it was to have you perform.

Bella with Fellow Performers at the El Dorado Retirement Center

We love when From the Top performers take Arts Leadership to the next level – 14 year-old violist Isabella Markham, a Jack Kent Cook Young Artist, has done just that by organizing a small concert series for a retirement center with the help of her brother and seven friends.  She titled the performance “Bella Palooza” and it took place on March 7, 2010 at the El Dorado; an independent retirement home located in Richardson, TX. The program included works for cello, violin, viola, and piano. Bella chose this project to provide seniors a fun break from their daily routine. Through the performance, Bella hoped to show that musicians her age still care for elderly people, and that music is a universal form of communication. A talented artist as well as a musician, Bella also created beautiful, hand-drawn flyers to promote the event.

Bella's Concert Program Art

Bella on "From the Top"

“I strongly believe that our culture tends to forget about the elderly and aging. A lot of these people are lonely and they don’t get enough love. Everyone needs someone to look forward to, and I think music makes a person’s heart happy.”

-Bella Markham

The El Dorado Dining Hall

We asked Bella a few questions about the performance and the overall experience:

Bella with pianist Evan Ritter

From the Top: How did you come up with your project idea?

Bella: I chose this activity because I wanted the old folks to have something exciting and new to look forward to in their daily schedule. It seems that they are forgotten sometimes, so I wanted to share the gift of music with them.

From the Top: What was the experience like for you? Did you have a favorite moment?

Bella: The experience was so inspiring and enriching! I would definitely love to do something like this again. Although it was a little bit stressful in having the complete responsibility to coordinate the entire event, it was all worth it in the end.

My favorite moment was after the performance. I went around to each table to talk to the old folks and asked them what they thought about the performance. Their faces beamed with joy and they even wanted me to come back and perform again! I loved seeing them so happy.

From the Top: What do you think the audience took away from the event?

Bella: I think the audience took away the joy and love for music. They truly enjoyed seeing us young performers perform for them. I would never be able to describe how happy they were, they were so overwhelmed with joy.

From the Top: What did you learn from this experience?

Bella: I learned that no matter who you are or what you do, music can connect and communicate to anyone! In my opinion, music truly is a wonder to the universe.

From the Top: Do you think this type of experience can help your development as a musician? How?

Bella: Definitely, yes. This is an extremely humbling experience and reminds me all the time of how fortunate and blessed I am. I think this is why I gravitate towards this particular group of people. I know that my presence and sharing of music genuinely touches their hearts as well as mine. Also, I know that I’m making a difference.

From the Top: What advice would you give other musicians interested in doing a similar project?

Bella: Definitely choose a softer selection of pieces to perform. The old folks seem to enjoy the softer pieces a lot. Also, prepare to talk and introduce yourself to them, this seems to make the performance more intimate and enjoyable. It’s also good to go around and talk with them after the performance; they love to talk with you about what a joy it was to have you perform.

Bella with Fellow Performers at the El Dorado Retirement Center

We love when From the Top performers take Arts Leadership to the next level – 14 year-old violist Isabella Markham, a Jack Kent Cook Young Artist, has done just that by organizing a small concert series for a retirement center with the help of her brother and seven friends.  She titled the performance “Bella Palooza” and it took place on March 7, 2010 at the El Dorado; an independent retirement home located in Richardson, TX. The program included works for cello, violin, viola, and piano. Bella chose this project to provide seniors a fun break from their daily routine. Through the performance, Bella hoped to show that musicians her age still care for elderly people, and that music is a universal form of communication. A talented artist as well as a musician, Bella also created beautiful, hand-drawn flyers to promote the event.

Bella's Concert Program Art

Bella on "From the Top"

“I strongly believe that our culture tends to forget about the elderly and aging. A lot of these people are lonely and they don’t get enough love. Everyone needs someone to look forward to, and I think music makes a person’s heart happy.”

-Bella Markham

The El Dorado Dining Hall

We asked Bella a few questions about the performance and the overall experience:

Bella with pianist Evan Ritter

From the Top: How did you come up with your project idea?

Bella: I chose this activity because I wanted the old folks to have something exciting and new to look forward to in their daily schedule. It seems that they are forgotten sometimes, so I wanted to share the gift of music with them.

From the Top: What was the experience like for you? Did you have a favorite moment?

Bella: The experience was so inspiring and enriching! I would definitely love to do something like this again. Although it was a little bit stressful in having the complete responsibility to coordinate the entire event, it was all worth it in the end.

My favorite moment was after the performance. I went around to each table to talk to the old folks and asked them what they thought about the performance. Their faces beamed with joy and they even wanted me to come back and perform again! I loved seeing them so happy.

From the Top: What do you think the audience took away from the event?

Bella: I think the audience took away the joy and love for music. They truly enjoyed seeing us young performers perform for them. I would never be able to describe how happy they were, they were so overwhelmed with joy.

From the Top: What did you learn from this experience?

Bella: I learned that no matter who you are or what you do, music can connect and communicate to anyone! In my opinion, music truly is a wonder to the universe.

From the Top: Do you think this type of experience can help your development as a musician? How?

Bella: Definitely, yes. This is an extremely humbling experience and reminds me all the time of how fortunate and blessed I am. I think this is why I gravitate towards this particular group of people. I know that my presence and sharing of music genuinely touches their hearts as well as mine. Also, I know that I’m making a difference.

From the Top: What advice would you give other musicians interested in doing a similar project?

Bella: Definitely choose a softer selection of pieces to perform. The old folks seem to enjoy the softer pieces a lot. Also, prepare to talk and introduce yourself to them, this seems to make the performance more intimate and enjoyable. It’s also good to go around and talk with them after the performance; they love to talk with you about what a joy it was to have you perform.

Earlier this year, 13-year-old John Ringor (Show #202 and #206 ) and 17-year-old Joshua Jones (TV Episode 201, Show #171 and  #206), both Chicago percussionists and Jack Kent Cooke Young Artist Award recipients, gave a performance and demonstration for children and their families at the Chicago Symphony Center. They were joined by eight of their colleagues from the Percussion Scholarship Group (PSG), a program affiliated with the Chicago Symphony Orchestra (an ensemble of which appeared on From the Top’s Show #206), that provides free lessons and percussion instruments to students from the Chicago area – an inspiring example of arts leadership itself!

John, Josh, and members of the Percussion Scholarship Group at the Chicago Symphony Center

Their concert was part of the CSO’s Caminos a la Musica: a program that provides lower-income families the opportunity to see and experience classical music in a professional setting.

(We) chose to perform for kids because they are the people of the future; they will be the ones to shape the future of music. These people need to realize just how important music is so that they can help promote and support it.” – John

“(We) wanted to spread knowledge about percussion and the PSG, and also I wanted to incorporate members of the group in this performance. Kind of like a family affair.” -Josh

We asked John and Josh to share more about their project:

John, Josh, and the PSG performing at the Chicago Symphony Center

FTT: What was the experience like for you? Did you have a favorite moment?

Josh: I had fun performing for the children, and their reaction was priceless. As loud as we were, I was expecting them to cover their ears, but the adults were the only ones with their ears covered.

John: Perhaps my favorite moment of the whole performance was seeing how happy all the kids were. The looks on their faces when we started things off with a bang and when I was doing all sorts of stick tricks in a solo were so gratifying. They looked like they really enjoyed our performance and had fun and a genuine interest in our music. That feeling of appreciation I got from them was the best part of this whole experience.

FTT: What do you think the audience took away from the event?

John: I think that they developed a new interest and appreciation for percussion and music that is not normally heard on the radio or is mainstream. They really seemed interested in the instruments and music we played so I think that one day they too will want to play an instrument.

Josh: Probably the point that was received by the audience was that percussion is a fun instrument to play, and it takes hard work to achieve a high level on any instrument that they may decide to take up, or anything they decide to do in life.

FTT: What did you learn from the experience?

Josh: I experienced how the sound was much bigger in a smaller room, so we had to play softer in order to not over power and frighten the children. It was kind of funny actually.

John: I learned that organizing such an event is no easy task. At times it was difficult getting everyone together and having rehearsals, but we eventually worked things out. Mostly I learned to just have fun. When I have fun then everyone else senses that and tries to have fun as well. By enjoying myself and keeping a positive attitude the performance was wonderful and the kids had a great time.

FTT: Do you think this type of experience can help your development as a musician? How?

John: It’s taught me the value of planning, organization, teamwork, and showmanship. I learned that just like in an orchestra or in an ensemble, teamwork and communication was essential both for playing musically together as well as running the show.

Josh: Instead of regurgitating music that we memorize, connecting with the audience can ease some of the nerves we may have as musicians when we perform and it tells us even more what the audience wants out of a concert.

FTT: What advice would you give other musicians interested in doing a similar project?

Josh: Don’t be afraid to try new things as you go. Always have a set goal, but if there is room for improvisation, take full advantage of it.

John: Just have fun with it. If the audience sees you having fun then they will too and that’s the secret to success.

Earlier this year, 13-year-old John Ringor (Show #202 and #206 ) and 17-year-old Joshua Jones (TV Episode 201, Show #171 and  #206), both Chicago percussionists and Jack Kent Cooke Young Artist Award recipients, gave a performance and demonstration for children and their families at the Chicago Symphony Center. They were joined by eight of their colleagues from the Percussion Scholarship Group (PSG), a program affiliated with the Chicago Symphony Orchestra (an ensemble of which appeared on From the Top’s Show #206), that provides free lessons and percussion instruments to students from the Chicago area – an inspiring example of arts leadership itself!

John, Josh, and members of the Percussion Scholarship Group at the Chicago Symphony Center

Their concert was part of the CSO’s Caminos a la Musica: a program that provides lower-income families the opportunity to see and experience classical music in a professional setting.

(We) chose to perform for kids because they are the people of the future; they will be the ones to shape the future of music. These people need to realize just how important music is so that they can help promote and support it.” – John

“(We) wanted to spread knowledge about percussion and the PSG, and also I wanted to incorporate members of the group in this performance. Kind of like a family affair.” -Josh

We asked John and Josh to share more about their project:

John, Josh, and the PSG performing at the Chicago Symphony Center

FTT: What was the experience like for you? Did you have a favorite moment?

Josh: I had fun performing for the children, and their reaction was priceless. As loud as we were, I was expecting them to cover their ears, but the adults were the only ones with their ears covered.

John: Perhaps my favorite moment of the whole performance was seeing how happy all the kids were. The looks on their faces when we started things off with a bang and when I was doing all sorts of stick tricks in a solo were so gratifying. They looked like they really enjoyed our performance and had fun and a genuine interest in our music. That feeling of appreciation I got from them was the best part of this whole experience.

FTT: What do you think the audience took away from the event?

John: I think that they developed a new interest and appreciation for percussion and music that is not normally heard on the radio or is mainstream. They really seemed interested in the instruments and music we played so I think that one day they too will want to play an instrument.

Josh: Probably the point that was received by the audience was that percussion is a fun instrument to play, and it takes hard work to achieve a high level on any instrument that they may decide to take up, or anything they decide to do in life.

FTT: What did you learn from the experience?

Josh: I experienced how the sound was much bigger in a smaller room, so we had to play softer in order to not over power and frighten the children. It was kind of funny actually.

John: I learned that organizing such an event is no easy task. At times it was difficult getting everyone together and having rehearsals, but we eventually worked things out. Mostly I learned to just have fun. When I have fun then everyone else senses that and tries to have fun as well. By enjoying myself and keeping a positive attitude the performance was wonderful and the kids had a great time.

FTT: Do you think this type of experience can help your development as a musician? How?

John: It’s taught me the value of planning, organization, teamwork, and showmanship. I learned that just like in an orchestra or in an ensemble, teamwork and communication was essential both for playing musically together as well as running the show.

Josh: Instead of regurgitating music that we memorize, connecting with the audience can ease some of the nerves we may have as musicians when we perform and it tells us even more what the audience wants out of a concert.

FTT: What advice would you give other musicians interested in doing a similar project?

Josh: Don’t be afraid to try new things as you go. Always have a set goal, but if there is room for improvisation, take full advantage of it.

John: Just have fun with it. If the audience sees you having fun then they will too and that’s the secret to success.

Earlier this year, 13-year-old John Ringor (Show #202 and #206 ) and 17-year-old Joshua Jones (TV Episode 201, Show #171 and  #206), both Chicago percussionists and Jack Kent Cooke Young Artist Award recipients, gave a performance and demonstration for children and their families at the Chicago Symphony Center. They were joined by eight of their colleagues from the Percussion Scholarship Group (PSG), a program affiliated with the Chicago Symphony Orchestra (an ensemble of which appeared on From the Top’s Show #206), that provides free lessons and percussion instruments to students from the Chicago area – an inspiring example of arts leadership itself!

John, Josh, and members of the Percussion Scholarship Group at the Chicago Symphony Center

Their concert was part of the CSO’s Caminos a la Musica: a program that provides lower-income families the opportunity to see and experience classical music in a professional setting.

(We) chose to perform for kids because they are the people of the future; they will be the ones to shape the future of music. These people need to realize just how important music is so that they can help promote and support it.” – John

“(We) wanted to spread knowledge about percussion and the PSG, and also I wanted to incorporate members of the group in this performance. Kind of like a family affair.” -Josh

We asked John and Josh to share more about their project:

John, Josh, and the PSG performing at the Chicago Symphony Center

FTT: What was the experience like for you? Did you have a favorite moment?

Josh: I had fun performing for the children, and their reaction was priceless. As loud as we were, I was expecting them to cover their ears, but the adults were the only ones with their ears covered.

John: Perhaps my favorite moment of the whole performance was seeing how happy all the kids were. The looks on their faces when we started things off with a bang and when I was doing all sorts of stick tricks in a solo were so gratifying. They looked like they really enjoyed our performance and had fun and a genuine interest in our music. That feeling of appreciation I got from them was the best part of this whole experience.

FTT: What do you think the audience took away from the event?

John: I think that they developed a new interest and appreciation for percussion and music that is not normally heard on the radio or is mainstream. They really seemed interested in the instruments and music we played so I think that one day they too will want to play an instrument.

Josh: Probably the point that was received by the audience was that percussion is a fun instrument to play, and it takes hard work to achieve a high level on any instrument that they may decide to take up, or anything they decide to do in life.

FTT: What did you learn from the experience?

Josh: I experienced how the sound was much bigger in a smaller room, so we had to play softer in order to not over power and frighten the children. It was kind of funny actually.

John: I learned that organizing such an event is no easy task. At times it was difficult getting everyone together and having rehearsals, but we eventually worked things out. Mostly I learned to just have fun. When I have fun then everyone else senses that and tries to have fun as well. By enjoying myself and keeping a positive attitude the performance was wonderful and the kids had a great time.

FTT: Do you think this type of experience can help your development as a musician? How?

John: It’s taught me the value of planning, organization, teamwork, and showmanship. I learned that just like in an orchestra or in an ensemble, teamwork and communication was essential both for playing musically together as well as running the show.

Josh: Instead of regurgitating music that we memorize, connecting with the audience can ease some of the nerves we may have as musicians when we perform and it tells us even more what the audience wants out of a concert.

FTT: What advice would you give other musicians interested in doing a similar project?

Josh: Don’t be afraid to try new things as you go. Always have a set goal, but if there is room for improvisation, take full advantage of it.

John: Just have fun with it. If the audience sees you having fun then they will too and that’s the secret to success.

Earlier this year, 13-year-old John Ringor (Show #202 and #206 ) and 17-year-old Joshua Jones (TV Episode 201, Show #171 and  #206), both Chicago percussionists and Jack Kent Cooke Young Artist Award recipients, gave a performance and demonstration for children and their families at the Chicago Symphony Center. They were joined by eight of their colleagues from the Percussion Scholarship Group (PSG), a program affiliated with the Chicago Symphony Orchestra (an ensemble of which appeared on From the Top’s Show #206), that provides free lessons and percussion instruments to students from the Chicago area – an inspiring example of arts leadership itself!

John, Josh, and members of the Percussion Scholarship Group at the Chicago Symphony Center

Their concert was part of the CSO’s Caminos a la Musica: a program that provides lower-income families the opportunity to see and experience classical music in a professional setting.

(We) chose to perform for kids because they are the people of the future; they will be the ones to shape the future of music. These people need to realize just how important music is so that they can help promote and support it.” – John

“(We) wanted to spread knowledge about percussion and the PSG, and also I wanted to incorporate members of the group in this performance. Kind of like a family affair.” -Josh

We asked John and Josh to share more about their project:

John, Josh, and the PSG performing at the Chicago Symphony Center

FTT: What was the experience like for you? Did you have a favorite moment?

Josh: I had fun performing for the children, and their reaction was priceless. As loud as we were, I was expecting them to cover their ears, but the adults were the only ones with their ears covered.

John: Perhaps my favorite moment of the whole performance was seeing how happy all the kids were. The looks on their faces when we started things off with a bang and when I was doing all sorts of stick tricks in a solo were so gratifying. They looked like they really enjoyed our performance and had fun and a genuine interest in our music. That feeling of appreciation I got from them was the best part of this whole experience.

FTT: What do you think the audience took away from the event?

John: I think that they developed a new interest and appreciation for percussion and music that is not normally heard on the radio or is mainstream. They really seemed interested in the instruments and music we played so I think that one day they too will want to play an instrument.

Josh: Probably the point that was received by the audience was that percussion is a fun instrument to play, and it takes hard work to achieve a high level on any instrument that they may decide to take up, or anything they decide to do in life.

FTT: What did you learn from the experience?

Josh: I experienced how the sound was much bigger in a smaller room, so we had to play softer in order to not over power and frighten the children. It was kind of funny actually.

John: I learned that organizing such an event is no easy task. At times it was difficult getting everyone together and having rehearsals, but we eventually worked things out. Mostly I learned to just have fun. When I have fun then everyone else senses that and tries to have fun as well. By enjoying myself and keeping a positive attitude the performance was wonderful and the kids had a great time.

FTT: Do you think this type of experience can help your development as a musician? How?

John: It’s taught me the value of planning, organization, teamwork, and showmanship. I learned that just like in an orchestra or in an ensemble, teamwork and communication was essential both for playing musically together as well as running the show.

Josh: Instead of regurgitating music that we memorize, connecting with the audience can ease some of the nerves we may have as musicians when we perform and it tells us even more what the audience wants out of a concert.

FTT: What advice would you give other musicians interested in doing a similar project?

Josh: Don’t be afraid to try new things as you go. Always have a set goal, but if there is room for improvisation, take full advantage of it.

John: Just have fun with it. If the audience sees you having fun then they will too and that’s the secret to success.

After every radio taping, the performers come together for the Arts Leadership Orientation to explore how they can use their talent and passion to make a difference in their communities and the world.

The performers on the St. Paul show named themselves the “Louisasota Zirths” – a play on the two states represented (10 performers from MN, 1 from LA) and the names of two inspiring teachers. They decided to choreograph their group photo and video around the piano, which was only fitting since it was a piano-themed show. Check out On the Road with Joanne Robinson for more info about the show.

The St. Paul Performers

Check out their group video:

Here are some of their thoughts about arts leadership, captured during a group writing exercise:

Arts Leadership is…

“Recognizing that music is a web that connects people together no matter how far apart they are. We may not be able to communicate our feelings through words, but two people from completely different parts of the world could walk away from a concert feeling the same way about it. I guess instead of saying music doesn’t have a language barrier, it would be better to say that it bridges the language barriers.“

“I have organized concerts to raise money for building schools in Afghanistan. I have done this for six years and with the money raised, a school actually has been built in one of the most dangerous provinces of Afghanistan. So now the girls can feel safer and appreciated.”

“Our trio put (a benefit concert) together for Haiti – it was really fun, plus it felt great to contribute to people’s lives in such a big way.”

“Reaching out to kids who don’t have the same opportunities that we do and trying to do what we can to make those opportunities accessible to others. You can learn a lot about yourself through teaching and get better and better at working with kids.”

“Becoming involved in the community and inspiring people to appreciate the arts.”

“Taking a stand- supporting your ideas and dreams with action!”

The performers also created individual leadership maps, charting their past experiences, future dreams and the leadership qualities most important to them.

Be sure to tune in when their show airs the week of October 4th to hear more from these inspiring arts leaders!

After every radio taping, the performers come together for the Arts Leadership Orientation to explore how they can use their talent and passion to make a difference in their communities and the world.

The performers on the St. Paul show named themselves the “Louisasota Zirths” – a play on the two states represented (10 performers from MN, 1 from LA) and the names of two inspiring teachers. They decided to choreograph their group photo and video around the piano, which was only fitting since it was a piano-themed show. Check out On the Road with Joanne Robinson for more info about the show.

The St. Paul Performers

Check out their group video:

Here are some of their thoughts about arts leadership, captured during a group writing exercise:

Arts Leadership is…

“Recognizing that music is a web that connects people together no matter how far apart they are. We may not be able to communicate our feelings through words, but two people from completely different parts of the world could walk away from a concert feeling the same way about it. I guess instead of saying music doesn’t have a language barrier, it would be better to say that it bridges the language barriers.“

“I have organized concerts to raise money for building schools in Afghanistan. I have done this for six years and with the money raised, a school actually has been built in one of the most dangerous provinces of Afghanistan. So now the girls can feel safer and appreciated.”

“Our trio put (a benefit concert) together for Haiti – it was really fun, plus it felt great to contribute to people’s lives in such a big way.”

“Reaching out to kids who don’t have the same opportunities that we do and trying to do what we can to make those opportunities accessible to others. You can learn a lot about yourself through teaching and get better and better at working with kids.”

“Becoming involved in the community and inspiring people to appreciate the arts.”

“Taking a stand- supporting your ideas and dreams with action!”

The performers also created individual leadership maps, charting their past experiences, future dreams and the leadership qualities most important to them.

Be sure to tune in when their show airs the week of October 4th to hear more from these inspiring arts leaders!

I can’t believe we’re already kicking off our 11th season of radio shows, and what better way than a fantabulous piano extravaganza! We taped the first show of the season earlier this week at the Young Artist World Piano Festival on the beautiful campus of Bethel University in St. Paul, Minnesota.

It was an exciting show that featured practically everything the piano can do, from solo to chamber music to a piano duo to a bombastic finale with eight hands flying! Three From the Top alums were included in the festivities. There was 15-year-old Colton Peltier, who appeared this time around with the Aurailea Trio, along with violinist Nora Scheller, 17, and cellist Jocelyn Schendel, 18. The trio performed the first movement of Ravel’s Piano Trio in A minor beautifully

Also featured was Leeza Ali, 16, who previously appeared as a soloist on both our radio and TV programs and now performed as part of our show’s grand finale. Picture two grand pianos, with two pianists seated at each bench. Leeza Ali, 18-year-old Reed Tetzloff, 17-year-old Leo Wexler-Mann, and the great Christopher O’Riley himself performed Smetana’s Sonata in One Movement for Eight Hands in E minor. It was fascinating watching the four of them working through all the intricacies of the piece at music rehearsal.

We also reconnected with cellist John-Henry Crawford, 17, who was flown in to collaborate with 17-year-old pianist Kenny Broberg on a movement from Brahms Sonata No. 2 for Cello and Piano. It was hard to believe these two met and put together this piece just one day prior to taping!

We  met superstar sisters Cindy and Serena Lu, ages 14 and 12, who played the first movement of Mozart’s Sonata in D Major for Two Pianos and then showed off their other major skill, rhythmic gymnastics (which, if you’re not familiar, is acrobatic gymnastics done with props, such as hoops, ribbons and balls). These two are such talented gymnasts that they recently competed in the Junior Olympics! During the show, I managed to tape some footage of them demonstrating, which will go live on our website when the show airs, but until then, check out this YouTube clip of 12-year-old Serena in action.

We also met 9-year-old pianist William Yang (fondly nicknamed “Yangster the Gangster”), who, though rather quiet in person, is as expressive as can be when he plays piano. For your viewing pleasure, I flip-cammed Mr. Gangster rehearsing his piece, Chopin’s Scherzo No.1 in B minor, the night before the show. Don’t miss the part when the block of wood propping up his piano bench becomes unsteady and Chris O’Riley sneaks in to save the day, or the very end of the piece where William finishes with a dynamic flourish. I loved it!

I can’t believe we’re already kicking off our 11th season of radio shows, and what better way than a fantabulous piano extravaganza! We taped the first show of the season earlier this week at the Young Artist World Piano Festival on the beautiful campus of Bethel University in St. Paul, Minnesota.

It was an exciting show that featured practically everything the piano can do, from solo to chamber music to a piano duo to a bombastic finale with eight hands flying! Three From the Top alums were included in the festivities. There was 15-year-old Colton Peltier, who appeared this time around with the Aurailea Trio, along with violinist Nora Scheller, 17, and cellist Jocelyn Schendel, 18. The trio performed the first movement of Ravel’s Piano Trio in A minor beautifully

Also featured was Leeza Ali, 16, who previously appeared as a soloist on both our radio and TV programs and now performed as part of our show’s grand finale. Picture two grand pianos, with two pianists seated at each bench. Leeza Ali, 18-year-old Reed Tetzloff, 17-year-old Leo Wexler-Mann, and the great Christopher O’Riley himself performed Smetana’s Sonata in One Movement for Eight Hands in E minor. It was fascinating watching the four of them working through all the intricacies of the piece at music rehearsal.

We also reconnected with cellist John-Henry Crawford, 17, who was flown in to collaborate with 17-year-old pianist Kenny Broberg on a movement from Brahms Sonata No. 2 for Cello and Piano. It was hard to believe these two met and put together this piece just one day prior to taping!

We  met superstar sisters Cindy and Serena Lu, ages 14 and 12, who played the first movement of Mozart’s Sonata in D Major for Two Pianos and then showed off their other major skill, rhythmic gymnastics (which, if you’re not familiar, is acrobatic gymnastics done with props, such as hoops, ribbons and balls). These two are such talented gymnasts that they recently competed in the Junior Olympics! During the show, I managed to tape some footage of them demonstrating, which will go live on our website when the show airs, but until then, check out this YouTube clip of 12-year-old Serena in action.

We also met 9-year-old pianist William Yang (fondly nicknamed “Yangster the Gangster”), who, though rather quiet in person, is as expressive as can be when he plays piano. For your viewing pleasure, I flip-cammed Mr. Gangster rehearsing his piece, Chopin’s Scherzo No.1 in B minor, the night before the show. Don’t miss the part when the block of wood propping up his piano bench becomes unsteady and Chris O’Riley sneaks in to save the day, or the very end of the piece where William finishes with a dynamic flourish. I loved it!